One of the perks of my day job at a major NYC institution is getting discount tickets to various shows and events. When I saw “The Metropolitan Opera,” “Don Giovanni,” and “Luca Pisaroni,” listed, I actually put it in my calendar to buy tickets as soon as they went on sale. After singing my first Zerlina last December, I was even more eager to see a full production of Don Giovanni live. Plus, I’ve been a big fan of Luca’s for a while now and really wanted to see him in one of his signature roles: Leporello (I dare you to watch this rendition of the Catalog Aria, “Madamina, il catalogo è questo,” and not be charmed).
It had been a while since my last visit to the Met and I was going to see Don Giovanni, so it was with great anticipation and excitement that I made my way to Lincoln Center after work on Friday. Fellow soprano Jen and I met up for a coffee and catch-up session before the show, and Baritone Boy joined us a little later.
It was a great performance, with all the characters well-portrayed and fully-embodied. We were sitting up in Family Circle, and more so than any other time I’ve been to the Met, I wished for opera glasses to really see and get the full effect of facial expressions and nuanced moments. It’s really the intricate relationships between the characters (combined with the magical music, of course) that makes this opera so interesting and so well-loved. Continue reading