Tag Archives: Operabase

A Strauss Celebration: 150 Years

The last two months of 2014 are turning out to be exciting and overwhelming. Things were supposed to wind down after Cendrillon, but after just a few weeks of quiet it picked back up with auditions, new repertoire, and the news that I was cast to sing Zerlina in Don Giovanni this December.

Another project just around the corner is one I am especially proud of, a concert celebrating Richard Strauss’s 150th birthday.

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Even if you don’t care much for birthdays, you’ve go to admit that 150 years is a big deal. This one was celebrated all over the world, most noticeably with performances of his works. Statistics from Operabase.com show how Strauss-mania kicked in for 2014:

  • In 2013: 364 performances of 85 productions, in 57 cities
  • In 2014: 625 performances of 153 productions, in 92 cities

The idea of putting on a Strauss concert had been on my mind all year, and after summer came and went I knew I was running out of time. It’s taken plenty of sweat and a bit of stress (but thankfully, no blood), and everything has come together beautifully.

I’m thrilled and honored to be making this music with eight fabulous women, the majority of whom are old friends and a handful of whom are new ones. Our concert is this Saturday at 3 PM in Washington Heights, NYC. We’ll be performing at the same church I had my recital at earlier this year, Holyrood Church. If you’re in the neighborhood, please come by to hear some Strauss!

 

 

 

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A Cinderella Comeback

This past weekend I had the thrill of singing La Fée with soprano Laura Mitchell as my Cendrillon. We both did our undergraduate degrees in San Diego, and it was such a pleasure to be reunited and to sing together.

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Reunited with soprano Laura Mitchell. NYC, 2014.

Having the opportunity to learn the rest of the role and revisit La Fée’s coloratura-filled aria and eyebrow-raising Act 3 scene was immensely rewarding and validating. After getting through the initial bumps in the note-learning and muscle-coordinating processes, I found that the less I stressed about the hard parts, the more easily and cleanly they came. A year and a half ago the vocal demands of La Fée had left me feeling a bit beat-up, but this year I came away from the performance feeling confident and quite happy. Continue reading