As the launch project of the newly formed Cantanti Project, our Strauss Celebration was a huge success! With Bill Lewis at the piano, we presented an afternoon of Strauss’s lieder and opera in Washington Heights. In the audience were Strauss experts and novices, musicians and non-musicians, conductors, artists, singers of all kinds, people who knew a little about classical music and some who know a whole lot. The feedback we received has been overwhelmingly positive. Along with compliments on the wonderful voices, the ensemble work, and the sensitivity and musicality of the piano-playing, we also received inquiries as to whether we would be performing this program again. I can’t help but glow at the idea that people would want to hear the music again and would want others to hear it too.
– Composer, Der Rosenkavalier
Basking in the aftermath of adrenaline, satisfaction, and joy, I realized the most valuable outcome of this project was not the singing I got to do but the friendships I reaffirmed with each of the singers involved. I reconnected with friends, most of whom I hadn’t seen or sung with in years and one whom I met just this summer at Astoria Music Festival, and partnered with newer friends whom I’ve never worked with before. The weeks leading up to the performance, though stressful, were filled with rehearsing, discussing, sharing ideas — it was the kind of “busy” that makes you feel alive. It’s truly beautiful that music and music-making brings people together like this.
One of the many aspects of the Vocal Apprentice program I adored this year was the plethora of performance opportunities we took part in. While Così fan tutte was the culmination of our efforts and our growth as performers, the other singing we did was just as important in our self-discovery and learning.
Despina rocking the apron look. Astoria, 2014.
Through a series of Apprentice concerts held at various venues around town, we had the opportunity to share our repertoire with others and put into practice ideas from masterclasses, lessons, and coachings. I mentioned last time that the amount of talent in Astoria was astounding, and I can, without hesitation, include the abilities of the Apprentices in this statement as well. Over the course of the Festival I got to hear beautiful singing from my peers, and they introduced me to new repertoire as well as different interpretations of music I was already familiar with. It’s no wonder we had a group of regular attendees at our concerts!
Many of the pieces I used for these concerts I had performed fairly recently at my recital, and I was surprised at how differently some of them felt just a month later. I am very, very thankful for the coaches and teachers who guided me through these developments: Gustavo Castro and Karen Esquivel, Paul Floyd, Allan Glassman, Marie Plette, Mark Robson, and Richard Zeller.
Posted in Art Song, Opera, Opportunities, Travel
Tagged Astoria Music Festival, Claude Debussy, concerts, Du gai soleil, George Frideric Handel, Jules Massenet, Oregon, Paul Floyd, photos by sopranos, Piangerò, Presentation of the Rose, Richard Strauss, Silver Aria, summer